Picabia in Three

From the exhibit, wonderfully entitled Our Heads Are Round So Our Thoughts Can Change Direction, a trio of pieces by one of the most multifaceted of 20th-Century artists you’ve probably never heard of, Francis Picabia (1879-1953). On view at the Museum of Modern Art (MOMA) in New York through mid-March, the three paintings shown below capture just a taste of the scope and breadth of the work of the French-born trailblazer who’s perhaps most associated with the Dada movement, but whose career is difficult to sum up in any sort of categorical way. In these examples alone, Picabia swerves from the cubist abstraction of La Source, at top, to experiments in what were called “mechanomorphs” based on mechanical imagery, middle, to later works fashioned on photos, some with Hollywood-themed undertones, from the popular “girlie” magazines of the day (bottom). Picabia once claimed, “Art must be unaesthetic in the extreme, useless and impossible to justify.” No doubt his brand of radical iconoclasm influenced many to follow.

la source
“La Source” (The Spring) (1912)
reverence picabia
“Reverence”(1915)
portrait of a couple picabia
“Portrait d’un couple” (1942-1943)
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